Monday, August 21, 2023

Crimson fox - Gloria iii

 Synopsis:

Gloria Carlisle filled every article she wrote for Anthem magazine with her penchant for classic rock and her passion for storytelling. When her editor assigns her an interview with the lead singer of the country’s number one rock band, it’s Gloria’s chance to establish herself as a Black female writer in a white man’s world of rock journalism.

When the singer cancels the interview and refuses to reschedule it, Gloria must return to L.A. to face her editor with no story.

After hours on the road, Gloria finds herself at the Silver Cactus, a small bar and grill in the middle of the desert, owned by the former bass guitarist of the all-female rock band Crimson Fox. That pitstop leads to a journey across the country and back to the desert in search of the story that was never told—the story Gloria was meant to write, and the one that will show her who she was always meant to be.

If you’d like to reread the previous chapter, click here.

If you’d like to start again with the Prologue, click here.


Crimson Fox by Anne Eston

Gloria iii




As Gloria reached for the handle on the entrance door, she felt her thoughts reorder themselves. She had the sensation of an invisible zipper on the back of her head being gently cinched up and the pull tab being folded down into place. She pulled the door handle and exhaled with relief but couldn’t quite remember what she’d felt panicked about. 

The door was much lighter than it looked, and Gloria whipped it open faster than she intended. She frowned and formed a silent “why . . .” with her mouth, in a final attempt to recollect what she’d just experienced. But when she stepped across the threshold, hunger wiped out this effort and the memory of her journey from Kip Rippers mansion to wherever this was scattered and flew out of the open cantina door in her wake.

Gloria’s stomach gave an indignant growl—the place was empty. The lights were on, but there were no customers. Management, such as it might have been, had probably called it a night and forgot to lock up. Or more likely the owner was probably in the back putting cash in the safe.

Clunk.

The instant after Gloria heard the noise, a voice said “Welcome in.”

With a sharp intake of breath, Gloria jerked her head to the right. She gulped air thinking she needed to swallow her heart back down into her chest. A slender woman with dark hair, silver streaked in the front, stood behind the bar drying whiskey glasses.  She wore a black tee shirt, and a leather cuff bracelet with studs on her left wrist.

Clunk.

“I didn’t mean to scare you,” she said as placed another dry glass upside down on the bar. “Honestly, you gave me little scare. Kind of late for customers.”

Gloria took another breath and pressed a hand to her belly to get herself together. “Sorry. I guess I missed last call.”

“Pfft. Last call is when my work’s done. Clearly, I’m still working. Grab a stool—what can I get you to drink?

As Gloria stepped up to the bar, she could see the woman’s faded jeans that were torn in places. But those rips were from life itself, not done on purpose like teenagers wore.

“I’ll have a Corona . . . and actually, I’ve been on the road a long time. I’m starving—can I get some pretzels or something?”

“I’ll do you one better than that,” the woman said with a wry smile, as she slapped the towel onto her right shoulder. She reached under the bar to what must have been a low fridge and pulled out a Corona. “You’d think the place had been mobbed tonight with how long it’s taken me to get my chores done around here. I haven’t eaten either.” She knocked the cap from the bottle on the edge of the bar and handed the beer to Gloria. “Earl!” she called as she turned her head toward the hallway behind the bar.

The man who rounded the corner from the bar was a dead ringer for Sam Elliot in “Mask.” Graying sable hair hung down to his shoulders. His leathery skin looked like it would never shed the tan. His worn face hinted at a thousand tales of the rugged ride life had taken him on, but there was a twinkle in his gray eyes. He nodded at Gloria and turned to the woman.

“You summoned?” he asked and stood in front of her with his arms crossed. “I’m guessing you want dinner since you didn’t eat when it was dinnertime, and I bet this young lady could eat too.”

She turned to Gloria: “Burger and fries work for you? I’ve got steaks, but they’re not thawed.”

Gloria’s stomach growled, but she answered anyway. “I won’t say no to that.”

Earl nodded at Gloria again, and raised an eyebrow at the woman that told Gloria she probably wasn’t the first hungry stray to wander into this joint.

“I’ll get to flippin’. Burgers’ll be out soon,” said Earl as he headed back down the hall.

“Now, that we’ve settled that,” said the woman as she leaned on the bar with her elbows, “where’d you blow in from?”

The woman’s eyes pinned Gloria. Her gaze was intent and curious, but not unkind.

“Vegas.” Gloria involuntarily held her breath and hoped the woman would finally reveal where in the hell this bar was located.

“Well, you must have taken a mighty long detour to have been driving for such a long time,” she said and picked up one of the remaining three glasses to dry it.

Gloria’s heart sank.

“What?”

“You’re kidding, right? You must have driven halfway to L.A. and then doubled back, ‘cause we’re only about an hour and a half from Vegas.”

Dear God, . . . think, Gloria. Think!

“I was—kidding, that is,” Gloria laughed. “I just didn’t want to admit how long I’d gotten, shall we say, distracted, on the strip.”

“We’ve all been there,” said the woman, and then suddenly raised her eyebrows. “Wait a minute, you didn’t drive drunk, did you?”

The tone in the woman’s voice made Gloria feel like her own mother was questioning her. She answered accordingly: “No ma’am.”

“Glad to hear it. I was always on the girls about—” she interrupted herself and set the glass down. “Never mind. I’m Faye, by the way.” Even though her hand wasn’t wet, she rubbed it with the towel anyway and extended it to Gloria. Relieved, Gloria took it.

“I’m Gloria.” 

Faye had a firm, friendly grip. When she released Gloria’s hand to pick up another glass, Gloria reached for her beer again, and took a swig. It was cold and smooth going down her throat, and when it settled in her stomach, the tickle reminded her that she needed the bathroom. Badly.

“Sorry Faye, but I need to pee like a racehorse.”

Faye grinned and nodded toward the hallway again. “It’s just down on your left.”

Gloria noted the “Restroom” sign hanging perpendicularly from the wall above a door on the left. The pay phone just before it reminded her that she would have to call Jeremy. A second door on the right was probably an office. And the smell of burgers cooking from the kitchen at the end of the hall made Gloria’s stomach tighten with hunger pangs again.

When she came out of the bathroom, the sight of the pay phone presented Gloria with a hard truth: she had to call Jeremy. She might have already lost her job, but better to find out now. Then she’d soothe herself with a good burger, maybe another Corona or two, then she’d get a large, strong coffee to go before she hit the road again.

She fished some coins out of her change purse and fed them into the slot. As she punched in Jeremy’s number, Gloria ignored the possibility screaming inside her head that the same insanity might overtake her and her car on the way back to L.A. just like it had when she left Vegas. 

Jeremy’s girlfriend Marie picked up after three rings. She and Jeremy insisted that everyone refer to her as his assistant. She answered the phone and performed minimal administrative tasks. But the truth was that Jeremy just wanted to have her at his beck and call—or rather his dick’s—for as many hours of the day as possible. He hired a temp employee every other week or so to pick up the slack, so the magazine didn’t fall apart completely.

“Hey, Marie, it’s Gloria. Can I speak to Jeremy?”

“Oh, honey, he is piiiiissed.”

“So, he heard?”

“Girl, everybody heard.”

“Shit. I was going to call him . . . but what could I do? Ripper’s house boy refused to reschedule the interview.”

“I know. It wasn’t your fault. Listen, we’re heading out for drinks with some record execs. Let him calm down. Call him tomorrow—but Glo, you’d better have a backup plan.”

“I’ll do my best. Thanks, Marie.”

Gloria clutched the phone in a vise grip for a long moment before she slammed it back down on the hook. She closed her eyes and took a deep breath. When she opened them, she saw Earl in her periphery. She turned to find him staring at her from the kitchen door with a spatula in one hand, and the other on his hip. Sorry, she mouthed, and pivoted to walk away.

Back at the bar, Gloria found Faye sipping her own beer, having finished drying the last two glasses.

“Everything okay?” Faye asked.

“Yeah,” said Gloria, clearing her throat. “I just had to check in with my boss.”

“It’s way past quittin’ time isn’t it?”

“For normal people, yes,” Gloria said as she stepped close to the bar again. “But trust me, my boss’s day is far from over. He was on his way out to do some after-hours networking though, so he didn’t have time to talk to me. I guess I’ll have to call him tomorrow. Or just see him when I get back to L.A.”

“Huh,” said Faye, and took another thoughtful pull on her Corona. “What do you do?”

Gloria realized that she was drumming her fingers on the bar and stopped.

“I’m probably unemployed at this point.”

Since dinner wasn’t yet there to distract them, Gloria strolled away to avoid any further questions. Faye took a different tack.

“So, what brought you all the way out here?”

Crap. Gloria faltered and decided on a version of the truth.

“I . . .I’m not really sure.” She continued to amble toward the wall of photos with proverbial fingers crossed that Faye didn’t kick her out for being a lunatic.

“Not the first time I’ve heard that, actually. This isn’t exactly a vacation destination.” So, Faye’s empathy hadn’t run out after all.

As Gloria stood in front of the photos on the wall, her attempt to avoid Faye’s questions turned to genuine curiosity. And when her eyes found a small, glossy black-and-white photo of an all-female rock band, something clicked in her mind.

“I know this band . . . yeah, Crimson Fox.” And she’d just discovered something else, too. Gloria whipped her head around and squinted at Faye. “Wait, this is you. You were in Crimson Fox?”

Faye opened her mouth to answer, but Earl appeared with their food. Faye sighed, and reached for two more beers, knocking the caps off on the edge of the bar. The question might have to wait. Gloria gave the photo a backward glance as she crossed back over to the bar.

“To answer your question, yes. Grab your plate, let’s go out back and eat.” Faye eyed Earl. “You okay to eat by yourself tonight?”

“Yeah, no problem. I’ll turn on the game in the office. You okay with this?” He gave Gloria a wary glance that made her realize that Earl could toss her out just as easily as Faye could. Damn, but the food looked good, though. The burgers were thick, and the fries were thin-cut and golden. Flatware was wrapped in a napkin and laid on the edge of each plate, and each one had ramekins of mustard and mayo. Earl had thought of everything.

“Got nothin’ better to do,” Faye answered reluctantly. She took up her plate in one hand and the beer in the other.

Gloria chugged the rest of her first beer, then grabbed her own plate along with the fresh beer. She tried not to worry about how late it might actually be getting, or what her next move would be as she followed Faye down the hall and through the kitchen to the back door.

Faye balanced her open beer in the crook of her elbow as she opened the door. Uneasiness seeped into Gloria’s mind again, and for a split second, she considered turning around and running for the car—with the burger and beer, of course. But when Faye flipped the switch on the outside wall, the scene dispelled Gloria’s uncertainty. 

Stepping outside was like entering a whole new world that felt nothing like the inside of the Silver Cactus. Several strands of lights formed a haphazard canopy over a cement patio furnished with a round wooden table and five chairs painted in different bright primary colors. There were potted and in-ground desert plants and succulents everywhere. The lights themselves were strung from various points along the roof’s edge and across to the top of a school bus of all things. 

Gloria tried to take it all in as they made their way across the patio. The bus had seen better days, but when Faye pushed the door open, the inside lights came on and another wave of pleasant surprise washed over Gloria.

The interior of the bus had been completely repainted, and all the bench seats had been removed except for one left in place at the back, and two strategically placed against either side of the aisle. A low round table about halfway down was flanked by two round ottomans for seats. At least a dozen more cushions were scattered about over various layers of rugs that covered the floor.

But it was the amp near the back corner flanked by two bass guitars on stands that sent a thrill of excitement through Gloria. She reminded herself to play it cool as Faye sunk down on a pile of cushions. With her plate balanced on her stomach and one hand on her beer bottle, Faye leaned back and closed her eyes with a sigh.

“Damn, I’m tired.”

“Nice that you have your studio here to come and relax,” said Gloria as she sat on one of the bench seats. She instantly regretted using the word “studio” when Faye cracked her eyes open and stared at her.

“Hardly a studio. I do crash here sometimes. Saves the trouble of driving home. Earl and I got a place about ten miles from here, but there’s a couch in the office, and my little hovel back here. Sometimes we don’t get back to the house for a few days—when sponge baths in the john aren’t cutting it,” she laughed.

Silence returned as hunger overcame both of them. Gloria bit into her burger and juice slid down her chin. She barely swallowed her first bite before shoving a handful of fries into her mouth. Faye sat up and took a big bite of her burger with another sigh of contentment.

As Gloria allowed herself to believe that Earl wasn’t going to barge in and snatch her plate away, her confidence returned.

“That’s a Fender Jazz bass guitar back there,” she said. “And the other one is a Gibson EB-3. 

“Um-hmm,” Faye answered with a mouthful of fries, and shot her a cautious look.

“It’s also the same one you’re holding in the picture.”

Faye said nothing, but instead took another big bite of her burger. She chewed slowly and washed it down with a swig of beer before she spoke. “Some other rockers swear by Fender, but that Gibson—she’s been my favorite bass for a long, long time. I get a better sound out of her. Plus, if it was a good enough model for McCartney, it’s good enough for me.”

This was the moment that would determine how the rest of this evening would go. If Gloria started in with more questions, Faye might shut down, or tell her to leave, or both. But if she said nothing, Faye might think she wasn’t interested at all. She had just about formed her next sentence when Faye stood up and stepped over to the Gibson. She lifted it off the stand and ran her hands over it as if she was seeing it for the first time in forever.

“How you been old girl?” she said to the guitar. Then without looking at Gloria, she said to her “those were the fucking days, you know? Epic, beautiful, tragic days.”

When Gloria took her next bite, all but two thoughts left her head. First, this was the best goddamn cheeseburger she’d had in her entire life; and second, maybe it was okay that she had no idea how she’d gotten here—that didn’t matter, because maybe she’d just found her new way forward.


Monday, July 24, 2023

Crimson Fox - Gloria ii

Hello again at last readers!

First, I’d like to thank you for your patience as I worked out this latest chapter. It’s only one of a few instances of magical realism (Modern magical realism novels explore facets of the mundane alongside the fantastical—a real world setting into which the magical enters. In magical realism, supernaturality has no explanation.  It’s the absurdity of magic in an average world. Source: https://bookriot.com/new-magical-realism-books/?fbclid=IwAR2U3hxENcvAmJG8ahZ1jjPzb3wipOr6KbBceL3j_G671z0ha6cWqB7FND) in the novel, and while I know this blog will not be the final edition of the book, I wanted it to feel right at the outset.

A few years back, I bemoaned my slow progress to a family member. He promptly shared an article with me about a writer who took 7 years to write a single book. That humbled me. Art cannot be rushed. I certainly don’t plan to take seven years to finish this book; as a matter of fact, that’s why I chose to release it in blog form, because it seems more doable and allows me to build interest. But I also realize that in this case, not only was I working out how I wanted to portray the “absurd” and magical bits, but life happened—I was dealing with several personal issues this summer.

So, thank you for hanging in there with me, and without further ado, let’s get back to it.

Synopsis:

Gloria Carlisle filled every article she wrote for Anthem magazine with her penchant for classic rock and her passion for storytelling. When her editor assigns her an interview with the lead singer of the country’s number one rock band, it’s Gloria’s chance to establish herself as a Black female writer in a white man’s world of rock journalism.

When the singer cancels the interview and refuses to reschedule it, Gloria must return to L.A. to face her editor with no story.

After hours on the road, Gloria finds herself at the Silver Cactus, a small bar and grill in the middle of the desert, owned by the former bass guitarist of the all-female rock band Crimson Fox. That pitstop leads to a journey across the country and back to the desert in search of the story that was never told—the story Gloria was meant to write, and the one that will show her who she was always meant to be.

If you’d like to reread the previous chapter, click here.

If you’d like to start again with the Prologue, click here.

And at any time, just click on the title of the book on the list to the right of the blog page to see all of the chapters I’ve released to date.



Crimson Fox by Anne Eston

Gloria

ii


He might as well have shot her. Failure hit Gloria’s gut like a tranquilizer dart, and while she told herself that she had to move, its invisible inky poison seemed to flood her veins, and numb her from the inside out.


She saw her hands shift the car into reverse and turn the steering wheel, and she felt her foot press the gas pedal, but only in a disconnected way.

Gloria was unaware of the speed at which the car catapulted out of the driveway, and she nearly crashed into a tree on the other side of the road near where she’d been parked minutes before thinking her career as a rock journalist was about to take right off. Or implode.

She managed to pump the brakes seconds before she collided with the tree. Luckily the berm of the road wasn’t a ditch. The numbness she felt made her grip the gear shaft more tightly, and she peered, disoriented, at her own white knuckles as she put the car in drive again.

As the tires spit a hailstorm of gravel, Gloria guided the car back onto the road. After fishtailing for a few hundred yards, she found the center of her lane and held the car steady. As her breath slowed, so did her speed, and Gloria left Kip Ripper, his lackey, and his mansion behind.

Some part of her knew she wasn’t driving back the way she’d come, but she ignored it. To breathe and to drive was all that she could manage.

The edges of Gloria’s vision grew blurry. The road widened, and became emptier, more desolate. She squinted and glanced up at the rearview mirror; the road she saw there was just as empty. Kip and his mansion, along with whatever story she might have written about him felt much more distant than that morning.

She heard her own pulse throbbing in her ears, each beat marking the passage of time. Gloria couldn’t tell whether it had been minutes or hours since she left Kip’s driveway, but she was speeding again, and an open swing gate in the distance was suddenly upon her. 

She should stop, turn around. Get a grip. Jeremy was waiting. But what was the point of that? All that lay behind her was the waste of a plan, a story, a writer’s life. She floored it, and sent her Camaro crashing through the gate. Its iron double arms swung and banged in her wake.

At first the car rocked and bounced over uneven terrain. Rocks pinged and banged on the undercarriage, and still Gloria did not ease her foot off of the gas pedal. Then without warning, all sound ceased. The ground beneath the tires of her car became smooth. To Gloria, it looked the same, with desert shrubs and rocks everywhere as far as her eyes could see, but she sensed nothing as she drove over them. Mountains loomed on the horizon with the sun falling nearer to their peaks off to her right. She was heading south, but Gloria was no longer certain where she wanted to go. 

In a moment of panic, she pulled her foot off of the accelerator—but the car didn’t slow. Gloria steered slightly first to the left, then to the right, but the car never veered from its trajectory. She opened her mouth to speak her confusion and fear aloud, but nothing came out.

I’ll turn on the radio, she thought. Maybe this is weather. Maybe there’s some kind of bulletin. She twisted the “on” button to the right in frustration and waited for the sound, any sound to come out of the speakers in the dashboard.

For long moments, static, then—

<You got to be smart out there on the road like that. You got to think.>

A public service announcement, about road conditions. Maybe they’ll say what the hell is going on here.

<Get yourself someplace safe before dark, now.>

I’m trying. A little help here. I don’t even know where the hell I am. At least give me some call letters, where your listeners are from tonight, something.

<I know what you want…>

Another jolt of electric wisdom shot through her. Jesus, that's what Daddy had said . . . that was his voice!

<Go on . . . talk to her. She’s the head of the comp sci department, isn’t she?  . . . you could make sixty grand right after graduation . . . I want a return on my investment.>

I’m not having this conversation again. I made my choice. This is who I am, what I do.

Eyes fixed on the horizon, Gloria reached blindly for the dial and gave it a hard twist. The faint sounds of a new station began to come in over the air waves.

<If you don’t . . . *crackle* . . . the right way . . . *crackle*>

A talk show--thank God, something normal!

Her hand started to shake, but Gloria gave the dial a slight twist.

<Well, you’ll never amount to anything.>

Mom . . .!

I will amount to something—I DO amount to something!

Tears stung the back of her eyes as she wrenched the dial again. What sounded like more static, Gloria realized was applause. 

<Welcome to Wait, Wait Don’t Tell Me . . . and now for our first question . . .>

Finally, something real. I'm not crazy after all. 

Gloria still had no idea where she was, or how to get herself turned around, but maybe after this program there would be some kind of station identification.

<You know, I don’t want to be Todd’s assistant forever—>

My own voice—!

The memory from Gloria’s first job after college throbbed in her mind like a sudden onset migraine. Burke, that hot shot editor thinking he knew everything, had said to her—

<Why not? You’re good at it.>

Gloria wailed and covered her ears, not caring that she had let go of the steering wheel, and at the same time floored the gas again. It didn’t matter who drove the car now, or where it was headed, only that this all needed to stop, these voices, this quest that never led to anything.

In that moment, Gloria’s ears thundered with a pounding wind as if she were in the free fall of a skydive. She kept her eyes squeezed shut, even as she felt the car bump and bounce across the ground. She grabbed the steering wheel and slammed on the brakes.  It was only when the car finally skidded to a stop in the crush of sand that Gloria dared to open her eyes.

Her breath caught at the realization that it was now full night. Her eyes flicked across the dark, moonless horizon to the left and right. She took little comfort in the canopy of stars.

The only other lights were a single tall road lamp that looked as if it had been plucked from the interstate and driven into the ground, and a white and blue neon sign on the building over which it towered: Silver Cactus Cantina.

Gloria cut the engine, and all sound left the car as if in a vacuum, except for the tinny sound of an old Donna Fargo tune on the radio. She clicked the radio off and tried to remember the journey, tried to remember the day that had passed so quickly. There had been the interview just that morning. She blinked and the memory that it never happened and why, stabbed her heart again. Then the driving—she must have driven like a madwoman. Still, Gloria couldn’t recall actually driving all those hours, or seeing the sunset as she drove.

Her body told her otherwise, and in her current state of exhaustion, she had two choices: keep the doors locked and hope no one would bother her until morning when she could find her way again or risk going inside. Her father would have scolded her for allowing herself to end up alone at night in the middle of the desert with no protection.

Then she remembered the radio and nearly going half mad trying to find a decent station. Her heart started to thunder in her chest again. The radio. . .those voices. Gloria suddenly wanted to be anywhere else but inside the car. 

There were no other cars that she could see; maybe the place was closed. But there was faint light coming from the a single window. Maybe the owners were still inside and might at least give her something to eat. If not, then she’d force herself to come back to the car and hunker down until morning. 

Gloria opened the door and pulled herself out of the car. She flung it shut again, and on shaky legs, she stumbled toward the entrance to the cantina, and prayed that food and answers awaited her inside.

****

Thanks for reading! Would you like to release your novel as a blog? Let’s talk! anne@writeranne.net.


Wednesday, May 10, 2023

Crimson Fox - Gloria i

 Hi Everyone,

And welcome back to my novel, Crimson Fox!

Synopsis:

Gloria Carlisle filled every article she wrote for Anthem magazine with her penchant for classic rock and her passion for storytelling. When her editor assigns her an interview with the lead singer of the country’s number one rock band, it’s Gloria’s chance to establish herself as a Black female writer in a white man’s world of rock journalism.

When the singer cancels the interview and refuses to reschedule it, Gloria must return to L.A. to face her editor with no story.

After hours on the road, Gloria finds herself at the Silver Cactus, a small bar and grill in the middle of the desert, owned by the former bass guitarist of the all-female rock band Crimson Fox. That pitstop leads to a journey across the country and back to the desert in search of the story that was never told—the story Gloria was meant to write, and the one that will show her who she was always meant to be.

Read the Prologue here.

Crimson Fox by Anne Eston

Gloria

i.

The ’74 Camaro rumbled as Gloria brought it to a stop across the road from Moon Dogs front man Kip Ripper’s mansion outside of Vegas. The sound of the V-8 filled her with excitement. Her mechanic Ricky, who was really more like a brother to her, helped Gloria find the car. And it was Ricky who put the life back into it and got it sounding like it did now. The Camaro was a washed-out blue and didn’t even have a racing stripe on the hood. Gloria had paid too much for it, but God, she loved it.

She put it in Park and cut the engine. The car ticked as it settled after the long drive from L. A., the same way her eyes flicked over the massive gate in anticipation of what was about to happen. Gloria Carlisle was about to write the biggest story of her young life.

Never mind that she’d only gotten it because Scott Peterson had emergency surgery yesterday. Her editor Jeremy couldn’t get away to write it himself, and none of the other staff writers wanted to do it—they claimed Ripper was on his way to irrelevancy, and who wanted to read a bunch of introspective bullshit about a fading rock icon, much less write one? And apparently it was still cheaper to send Gloria, a low-level staffer, than it was to secure a stringer at the last minute.

Jeremy didn’t hesitate to let her know how lucky she was to get this break, being a woman and all. And being Black. He didn’t say it out loud, but it hung in the air between them when he offered her the assignment.

To hell with that. Gloria belonged here as much as any of her colleagues at Anthem Magazine. She had even more passion for the genre than many of them.


Gloria couldn’t help that she’d gone to a predominantly white high school, that she was well-spoken, loved poetry and listening to rock music. Her father told her half-seriously that she wasn’t his kid, that she’d been left on the doorstep by witches when she came home from the record store with a bunch of albums by Rick Springfield, Van Halen, and Journey. Gloria’s mother was a little more understanding when it came to Pat Benetar because “she’s no Aretha Franklin, but the girl’s got a voice.” At some point between the 7th and 10th grades, rock music just set up camp in her soul and stayed there. And sitting at Kip Ripper’s gate to interview him was right where Gloria wanted to be—right where she was supposed to be.

She started the car again, and grinned as she snaked her way across the wide, dirt road. Gloria blindly reached for a tissue from the box on the passenger seat and rid herself of the spearmint gum she’d chawed on for the whole drive. As she pulled up to the gate, a tall figure strolled toward it from the other side.

He wore white slacks, black shoes, and a black tee shirt. His brown hair hung to his shoulders in a messy shag cut. But he wasn’t Kip Ripper. A small wave of relief washed over Gloria. This meant she’d have a little more time to collect herself. 

An invisible control activated the gate, and the man walked through it as it opened. Gloria rolled down her window as he approached the car. She pulled her sunglasses down on the bridge of her nose so he could see her eyes. He did not return the favor.

“Good afternoon,” Gloria smiled. “I’m Gloria Carlisle, I’m here to—”

“Yeah. So.” He put his hands on his hips and gazed out at some unnamed point on the other side of her car. “Not gonna be an interview today.”

“Oh . . . I see. Well, I’m happy to stick around for a couple of days if Kip wants to reschedule.” Even as she said it, Gloria thought it was highly arrogant of Ripper to cancel the interview, much less expect her to float around Vegas until he decided to grant her an audience. But that’s a rock star for you. 

When the manager, boyfriend, agent, whoever he was turned his gaze back down to her, Gloria was glad she couldn’t see his eyes behind the sunglasses.

“No interview. Period.”

***

Thanks for reading! If you’re in the midst of writing your own novel, reach out, I’d love to hear about it.


22, Then and Now

 A couple of weeks ago, during my final session with my writing/career coach, he gave me the parting assignment of writing a letter to my 22-year-old self. He suggested this based on a story I told him in the session.

I had just graduated from college and taken my little sheltered Ohio-born-and-raised-self to New York City. It wasn’t like I would be panhandling for my first gig. I went from a protected life at college to one in the Big Apple: I was staying on a friend’s couch in her luxury high-rise apartment at 72nd and Third. And I had a lot to learn.


Among my first lessons: wear sneakers for walking and whip out the dress shoes upon arrival to the job interview, temp assignment, whatever.

On the heels of that lesson was learning how to decode the want ads. They all made administrative work sound exciting and full of possibilities for advancement. I had responded to one before I even arrived in the city, and I had an interview! I was stoked. Sure, I knew I probably wouldn’t land the first job I interviewed for, but I still felt confident. And then I answered a few dozen more want ads just like it. Eventually, I did land my first gig at a university in their public relations department, which seemed like a good fit.

But before I landed that job, I had another quite significant interview of sorts. It was set up for me by my friend on whose couch I was crashing. She was a Black female executive at Avon, no small feat in those days. The meeting she arranged for me was with one of her colleagues, another Black female executive. 

I was really excited. I thought I could at least get my foot in the door. I had a 3.5 GPA; I had professional recommendations; and I had my friend. But maybe I was expecting too much because I didn’t even get a toe in the door.

The executive I met with coolly shook my hand and settled into her leather chair behind her desk. The arrogance rolled off her like mist off of dry ice. I thought I was prepared for this “information interview.” But she only needed one arrow of inquiry and it found its mark.

“What do you want to do?” she asked in an exasperated tone, as she glared at my resume. “I mean, you have this degree in Communications. So what to do you want to do? Public Relations, Corporate Communications? . . .” I muttered something about being open to any of those. “Well, they’re all very different.”

My memory of the rest of what she said in that short meeting is a little foggy. But I am clear about the feelings I was left with afterward: that my degree was too broad; that I was stupid for not having a plan, and for coming into the meeting without one; that I should have had my future all figured out at the ripe old age of twenty-two.

Immediately following my last session with my coach, I felt excited about the idea of writing a letter to my 22yo self. I began to compose the letter in my head from the wizened me, strong and confident. But life happened, and by the time I was ready to sit down and do the assignment, I didn’t feel much like tackling it anymore. I was in a funk. But I also realized that I was basically getting that same question from a couple of people, albeit without any of the arrogance I’d experienced before.

An unexpected work opportunity came my way recently. I thought a lot about whether or not to pursue it, and I decided to go for it. I wanted to talk to some professional friends in the industry about one aspect of the work. They were positive, but both mentioned how great it would be, especially if this was a career path I wanted. What this felt like to me was another version of how great it would be, as long as I had figured out what I wanted, and this was the sole path I wanted to take.

And then I realized that, in a way, I have no more “figured things out” than I did when I was 22. And that’s downright depressing. I started composing a new letter in my head: “I got nothing for you, kid. It doesn’t get much better no matter how much you try.”

Having watched and then started to read Tiny Beautiful Things, I found myself wishing I could just write a “Dear Sugar” letter. I felt like she would have something better to say to my 22yo self than I did at that point.

Lo and behold, that night when I picked up the book again, near the end was a chapter with a letter from a girl who asked just that: “What would you tell your twentysomething self if you could talk to her now? Love, Seeking Wisdom.” Holy cow. The synchronicity sent a warmth through me that immediately dispelled the coldness of the expectation that I should have it figured out by now. Sugar’s reply was just the reassurance I needed.

It's good you’ve worked hard to resolve…issues while in your twenties but understand that what you resolve will need to be resolved again. And again.

Thank God!

The useless days will add up to something. The shitty jobs. The hours writing in your journal. The long meandering walks. The hours reading poetry and story collections and novels . . . these are your becoming.

Wow! There was also this bonus section that touched on the recent disintegration of a friendship that had also been weighing on me:

You cannot convince people to love you. This is an absolute rule. No one will ever love you because you want him or her to give it. Real love moves freely in both directions. Don’t waste your time on anything else.

And finally:

Don’t lament so much about how your career is going to turn out. You don’t have a career. You have a life. Do the work. Keep the faith. Be true blue. You are a writer because you write. Keep writing and quit your bitching. 

BOOM. Thank you, Sugar. That is exactly what I wanted to say to my 22yo self before I went careening down the heinous and inauthentic vortex of what I should have figured out. Bonus: it’s also what I need to remind myself of right now, even as ripe with experience as I am. Because I’m still on my adventure. And that’s okay. Love, Me.

***

If you’re a writer in the second act of your adventure too, I’d love to hear how it’s going for you. Reach out to me at anne@writeranne.net.


Sunday, April 16, 2023

Springing Forth With Crimson Fox - Prologue

I spent the last several days thinking about how I wanted to introduce my new novel to you. If you read my last newsletter, you know about the creative fire (as well as the imposter syndrome) I brought home from a summer writing conference. Then life happened, and I spent a good deal of my winter recovering from Christmas travel woes and getting my act together. 

Then one morning, I looked up and it was Spring. But it wasn’t until a few days after the Spring Equinox that I actually felt ready for it—ready to stoke that creative fire. So I started working on Crimson Fox.

And just the other day, a quote I heard on the streaming show “Tiny Beautiful Things” perfectly summed up the spirit in which I wanted to release the first chapter of this novel. Now, I’ve not read the book yet, which is unusual for me (and I definitely want to read it now, having binge-watched the first season of the series). But it hit me like a ton of bricks, and in a good way. I had no idea that it wielded such powerful themes on the mother-daughter relationship (which inspired me on another project I’m working on), and I had no idea that it was about a writer

When the protagonist Clare says “ . . . I am an accomplished writer, even though I haven’t accomplished it yet,” it resonated completely with me and where I’m at with my writing life right now, having accomplished some, but not nearly all that I aspired to yet as a writer.

And like Clare when she embraces and finds success in an unlikely writing opportunity, I begin to share Crimson Fox with you, one chapter at a time, in my own creative space. 

I’m bursting with excitement for this first post, for the words I’ve written so far, and to share the rest of the book with you. So, sit back, relax, and enjoy! 

Synopsis:

Gloria Carlisle filled every article she wrote for Anthem magazine with her penchant for classic rock and her passion for storytelling. When her editor assigns her an interview with the lead singer of the country’s number one rock band, it’s Gloria’s chance to establish herself as a Black female writer in a white man’s world of rock journalism.

When the singer cancels the interview and refuses to reschedule it, Gloria must return to L.A. to face her editor with no story.

After hours on the road, Gloria finds herself at the Silver Cactus, a small bar and grill in the middle of the desert, owned by the former bass guitarist of the all-female rock band Crimson Fox. That pitstop leads to a journey across the country and back to the desert in search of the story that was never told—the story Gloria was meant to write, and the one that will show her who she was always meant to be.


Crimson Fox by Anne Eston

Prologue - Lola, Summer 1969

The inky heliotrope haze of smoke and mood lighting draped the patrons of Brenda’s Place in its mysterious gauze. Some bounced and gyrated in time to the music, while others clung to each other, their faces buried in each other’s necks, swaying to a tune only they could hear. Others shot pool or held court in small clusters in darkened booths, by turns laughing uproariously and issuing mock threats. Still others sat at the bar either hoping for propositions or ignoring them.


Lola faced the room with her elbows propped on the bar behind her, observer of all, part of none. She’d been nursing the same bottle of beer for over an hour. It was only half full, and now warm. Still, she wouldn’t let it go, just like she hadn’t been able to let go of this place. Not after she’d finally found the band she’d been looking for; not after they’d heard their first single on the radio; not even now, when they’d just recorded their second single, and would be playing at Woodstock in a few short weeks. Brenda always said that when she got her wings, she’d fly away and never look back. Lola had thought that too, but she wasn’t ready to do that no matter how good things got for Crimson Fox.

Brenda’s had been her home since she came to L.A. She’d crossed the border with her loco uncle and a handful of cousins after her parents died in an accident. Lola knew within a week that she couldn’t depend on any of them to help her, much less take care of her. She was fifteen, and she struck out on her own.

For two weeks, Lola feigned sleep when her uncle and cousins stumbled into the cheap motel room her uncle had rented for them. Her uncle raged about having to take care of her, and refused to give her any of the money he and her cousins had earned that day.

“Why don’t you clean yourself up, put on a dress or something. Open your legs, chica—earn your own way like the rest of us,” he had said to her one day shortly after they had arrived in Los Angeles. Never mind that he wouldn’t give her any money to buy a dress, even if she’d wanted to wear one. Her cousins shrugged and averted their eyes. Only Marco slipped her a little of the money their uncle let the boys keep to feed and clothe themselves, and get a beer once in a while.

During the day, Lola would buy a small meal for herself, and wander the streets looking for a way out from under her uncle. She learned the neighborhood by talking to other immigrants. She saved some of the money Marco gave her for a new pair of jeans, some underwear and a couple of tee shirts. Once or twice she took a bus, but she never moved in the same direction that her uncle and cousins went to look for day work, and she always came back to the neighborhood they stayed in.

She had no desire to drink, but one place several blocks away from the motel fascinated her—a bar called Brenda’s Place. It never opened until four in the afternoon, and one day when she peeked in, the place was mostly empty. Still, she caught a certain simpatico vibe from the place that eased her mind. But she was too young to hang out in the joint, even if she did want to drink. But she might be able to work there. 

Lola came back wearing a new tee shirt and acting tough. She walked up to the bar and did her best to ignore the pounding in her chest.

“Gimme a Coke,” she said with a nod to the bartender.

The bartender, a woman that looked like too many people had pissed her off already that day, pulled the soda from a tap and set the glass down none too easily. She had short, blond hair, and both her grey tee shirt and her black jeans were too tight. She wore a silver rope bracelet on one wrist, and a sprinkling of heavy silver rings on both hands, including a dragon head and a skull. 

The woman moved off down the bar to polish some glasses. Lola took a sip and pulled out a dollar bill. She laid it on the bar, and after a moment, the woman walked back. When she put her hand on the bill, Lola slapped her hand on the end of it.

“Keep the change, but . . . I’d rather just work for it.”

“Shit,” muttered the woman. She flicked the dollar bill back toward Lola. “Just drink the soda, kid and take off before the rest of the crowd starts comin’ in. If I get thrown in jail for serving a minor, there won’t be nobody to tend this bar.” She went back to polishing the glasses.  Lola clawed a handful of stale peanuts from the nearby dish and downed the soda. She slammed the glass back down on the bar, and walked out—she left the dollar bill.

Lola came back every day until Brenda gave her a job doing odd chores around the bar, and a cot in the storage room to sleep on or run to whenever trouble came. When customers came in who didn’t look like they belonged there, Brenda would send Lola to the back and tell her not to come out until she gave her the all-clear. Once when Lola asked Brenda who these customers really were, Brenda had been vague.

“Could be immigration. Or just people who don’t like me and my place,” she had said.

It was still months before Lola truly felt safe. She no longer feared that her uncle and cousins would look for her.  She could trust that Brenda wouldn’t turn her in to the authorities for being under age, or to have her deported.

“What, let my best worker get captured and taken away?” Brenda told her. “Not on your life.” But she knew it wasn’t about Brenda needing Lola to work for her. One night, the cops showed up, and Brenda had gone pale. She snapped her finger at Lola as soon as they walked in, which was the signal to disappear. 

From her cot in the storeroom, Lola could hear a ruckus. She’d started to turn on her little transistor radio while she lay there and waited for Brenda to tell her it was okay for her to come out. But the look on Brenda’s face had spooked her, so she listened intently.

There were some sharp voices and sounds of breaking glass. When Lola heard a woman scream, she almost bolted out there to help Brenda take care of business. Instead, she stopped at the door with her hand gripping the doorknob. She had to trust Brenda and do what the woman told her the same way she would have obeyed her mother had she been here.

Within twenty minutes that felt more like hours, Lola heard footsteps in the hallway, and backed away from the door. She mapped out a frantic plan of how she would respond if the cops found her back here. But when the door opened, it was Brenda. Her mouth was set in a hard line. She wasn’t crying, but her eyes looked wet.

In an instant, Brenda stepped over to Lola, and wrapped her arms around her. The hug was brief, and hard. It was then Lola knew that Brenda loved her like the child she never had.

“Come on out,” she said to Lola. “I need you to help me clean up.”

The lights were turned up in the main room. It was eerily quiet except for the murmurs of the customers in the booths. A few of them were crying. One of the tables and several of the chairs were turned over. Broken glass was all over the floor. The dance floor was empty.

Brenda was working the room with mugs and a pot of coffee. She spoke softly to the customers that remained. The large utility broom rested against the bar, waiting for Lola to take it in hand and begin sweeping up as Brenda had asked her. But Lola rushed to the door and cracked it to look out. Her stomach roiled as she watched all the women who had been on the dance floor, now in handcuffs, being loaded into the back of a black police van. 

Watching those women get carted away sent a jolt of fear through her that if the cops saw her looking out at them, they might arrest her too. But the scene also galvanized her. Lola was beginning to understand the vibe she’d resonated with all those months ago. She was beginning to understand who she was.

And it was in Brenda’s that Lola first tasted love. She’d been all of seventeen when Carly sauntered up to the bar, badass and sexy as hell. She wore a black leather vest with no shirt underneath, black jeans, and black boots with spurs. A silver chain hung from her neck, with a single shark’s tooth that dangled above her cleavage. She wore her jet black hair in a ponytail at the base of her neck.

Lola had looked up, dumbfounded, as Carly approached the bar. As the scent of mint and oranges reached Lola’s nose, Carly sucked in her teeth and set her empty beer mug down hard on the bar.

“I’ll have another, chiquitita,” she said as he ran her tongue over her teeth.

Before Lola could find her voice to respond, Brenda appeared and snatched up Carly’s mug.

“Don’t even think about it, sis. She’s way too young for you,” Brenda said as she pulled at the tap to refill the mug. “Hell, she doesn’t even know what she wants yet.”

“Oh, she knows alright,” grinned Carly. “I can see her heart pounding in her chest from here. Pretty little thing. Chicana, aren’t you?”

“Back off, Carly. Plenty of other prospects for you in here tonight.”

When Brenda took that tone, she meant business. Carly picked up her beer and walked away from the bar. But not before she winked at Lola.

Lola’s heart had been pounding. She’d looked down at the bare skin on her chest that neither her overalls nor the bra she wore beneath them covered. Going shirtless had been a riskier choice and when Brenda had looked at Lola that morning, they both knew Lola was pushing her boundaries. She may have been too young, but Carly was right. She knew what she wanted, and Brenda probably knew it too. 

Brenda’s warning didn’t stop Lola from following Carly down the hall a couple of hours later; it didn’t stop Carly from pinning Lola to the wall when she came out of the bathroom and giving Lola what she wanted. Within a week, Lola brought Carly to her cot in the storeroom. Within a month, Carly ditched her for an older, more experienced woman.

Such was life. Lola grinned at the memory and took another pull on her warm bottle of beer. How naïve she had been. How little of real life she’d understood back then.

Not that she understood it now, but she had someone waiting for her, just a day’s (or in this case, a night’s) drive away, in a cozy little adobe house at the foot of a mountain range. This love was the purest, most real thing Lola had ever felt.

She looked at her watch. If she left soon, she might make it back to her love by sunrise. 

Lola sighed. Brenda’s was no longer home. It would always be in her heart. But something tingled along her spine, the feeling that with all of this change for the band, when Lola left tonight, she wouldn’t be back again.

She frowned at the possibility. She would never do that to Brenda, just disappear one day and not come back. Lola dismissed the idea, but the tingling remained. Something was off about tonight. She didn’t want to think about it anymore. She’d just grab her guitar and go.

Except her guitar wasn’t here. Neither of them was. The one she recorded with was in the cab of her pickup. Her favorite one was 800 miles away, and waiting for her to come home.

In the next instant, Lola felt a hand on her shoulder. She turned, and Brenda locked eyes with her. Brenda looked so much older lately. So tired. But she had the same look in her eyes that she did the night of the police raid.

“There’s a call for you. Take it in my office.”

Lola sat her bottle on the bar and strode toward Brenda’s office at the end of the hall. She’d known something was wrong even before she’d turned to see Brenda’s face. There were only a handful of people who knew that they could find her here. Almost all of them were in the band.

The faces in the hallway became blurred, and the sounds rippled as if she moved along the ocean floor. Lola collided with other bodies and didn’t care if she was to harsh in pushing them aside.

Too slowly, she found her way to the end of the hallway. Her hand twisted the knob on the office door, and Lola left it ajar after she pushed it open. She stumbled to the desk, reached for the receiver that lay next to the phone, and pressed it to her ear.

“Hello?” said Lola, barely breathing.

“Lola!” A sob that belonged to one, not the other, of the voices Lola had imagined it might be. But both were sacred. Lola would have cut her own heart out not to hear either of them in that much pain.

“Jax . . .”

“He hurt you?!”

“The baby . . .”

“I’m coming, honey . . . I’m coming.”

Lola dropped the phone and left by the door to the back alley, the voice of her only other real love echoing in her mind. Another one that broke her heart. Now there was a baby, goddamnit. Something she’d never be able to give anyone she loved. But to this one Lola could give a piece of her heart again. She could go to her now.

And so, she went.

***

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